Historian Breaks Down Napoleon's Battle Tactics
Director: Anna O'Donohue
Director of Photography: Lloyd Willacy
Editor: Louville Moore
Expert: Jonathon Riley
Line Producer: Joseph Buscemi
Associate Producer: Kameryn Hamilton
Production Manager: D. Eric Martinez
Production Coordinator: Fernando Davila
Sound Mixer: Javier Carles
Production Assistant: Jasmine Brienburg
Post Production Supervisor: Alexa Deutsch
Post Production Coordinator: Ian Bryant
Supervising Editor: Doug Larsen
Assistant Editor: Andy Morell
Released on 11/21/2023
Love him or hate him,
Napoleon is a figure probably unrivaled in modern history.
I'm going to take you some snapshot, iconic moments
in some of his battles.
[dramatic music]
Toulon, 1793,
[marker plunking]
we're down here on the Mediterranean coast of France.
Here we have the young Napoleon, 24 years old,
full of energy, full of zeal for the revolution,
and that revolution is in danger.
The city of Toulon has been occupied
by French royalists.
The young Napoleon is given the task of leading an assault
on this important fort, which he does.
The French fire at the fortress,
and then they storm it, using infantry and ladders,
and Napoleon himself leads the attack.
He's stabbed in the thigh by a British soldier
with a bayonet, but the attack succeeds,
and the British are pushed out.
[markers sliding]
The Battle of the Pyramids, 1798.
[marker plunking]
We're now away down South on the map,
on the Southern shores of the Mediterranean in Egypt.
Here, we're going to be looking at Napoleon,
experimenting with a new formation,
the divisional square, and looking at his sense of destiny.
Actually, the battle took place
some nine miles away from the pyramids,
but what's wrong with a bit of artistic license?
He has captured the city of Alexandria,
but he's now faced with the vast, medieval
infantry and cavalry of the Mamluks,
the soldiers of the Ottoman Turks who rule Egypt.
He brings on what was called the divisional square.
Each division had three brigades,
and each brigade was formed into a square of infantry,
guns at each corner, and cavalry in the middle.
Now, squares were used throughout European warfare,
but they were used for a very particular purpose,
just to repel cavalry.
So, he is adapting the square,
making it a combined arms formation
and using it offensively, not defensively.
He moves South in this formation towards the enemy,
supported by the gunfire of his ships.
The Mamluks attack and superior
French firepower murders them.
They retreat.
Some of them try to cross the Nile and are drowned,
and the French are left in possession of the field.
Austerlitz, 1805.
[marker plunking]
We are here in what's now the Czech Republic.
Here we're going to look at Napoleon,
prepared to take risks that could be fatal,
but also as a master of deception,
luring his enemies into a trap
from which they can't escape.
[dramatic music]
This is a portrayal of an incident which actually happened.
It's reported that 150 guns were lost
and a lot of men were drowned.
Two or three days later, Napoleon ordered the ponds
to be drained, and although 150 horses were found,
only two human bodies were reported.
Napoleon has instituted the corps system.
Each corps is a combination of artillery,
infantry, cavalry, engineers and light troops.
It's all arms.
It allows him to expand the army
to something bigger than there's been seen
in Europe since ancient times.
He makes himself appear weak
in the South here on his right flank
because what he wants to do
is make the enemy launch a flanking attack.
Bring them down off the Pratzen Heights
to attack him and envelop him in the South,
will be able to take these attackers
in the flank and deal with them.
Napoleon himself will then be able
to unleash the decisive act of the battle,
a central attack on the enemy position
up here on the Pratzen Heights.
The Austrians play right into his hands,
and he turns to Marshal Soult,
the Commander of the Fourth Corps.
He's going to lead the attack and says to Soult,
One sharp jab and the war is over.
[markers sliding]
Lutzen, Spring of 1813.
[marker plunking]
We are at Lutzen, which is in
the Southern part of Germany.
Here, we're going to be looking at Napoleon
making and implementing decisions
far more rapidly than his opponents can do.
And we're going to see him inspiring
and leading the troops personally
and bringing that magnetism to bear on the battlefield.
What Lutzen gives us is a glimpse
of Napoleon's powers of analysis and decision-making.
Napoleon, after all his years in the field,
is now a master at this.
What unfolds at Lutzen?
Well, it's what's called a meeting engagement,
and a meeting engagement occurs
when two bodies of troops are moving towards each other,
but they don't know very much about each other.
And unexpectedly, they collide,
and victory will go to the side
that most speedily and most effectively
takes advantage of the chaos.
Napoleon himself rides to the sound of the guns.
Morale is pretty shaky, but his appearance works magic.
The troops see him and somehow,
they know that everything will be okay.
And those cries so dreaded
by his enemies on the battlefield begin to rise.
Vive l'empereur.
Not only does he inspire the troops,
but he actually takes charge of them,
leads them to the counterattack,
exposing himself to enemy fire.
And it's said that this is the day of his career
more than any other,
when he was in most danger of being killed.
[markers sliding]
Waterloo, 1815.
[marker plunking]
We are at Waterloo, in what's now Belgium,
and it's just to the South of Brussels.
Here's Napoleon, at the end of his career.
He's older. He's tired.
He's suffering the pains of duodenal cancer.
He nearly carries the day,
but in the end, he's caught in his own trap.
[dramatic music]
Well, here we've got some great footage
of the use of squares.
We talked about squares earlier in Egypt,
and here's the defensive use of squares
by the British Army against that massed cavalry.
Ridley Scott's used enough people in it
to give you the sense of being there,
which too many TV programs just don't do.
The powers of Europe have declared war, not on France,
but on him, and they're closing in.
Napoleon organizes a proper combined arms attack,
which captures the farm of La Haye Sainte.
It means that the French can bring their artillery
right up close, blast a hole in the British center,
and then plow through it,
but at this critical moment,
the Prussians are appearing on the French right.
Napoleon has to detach part
of the Guard Corps to stop them.
Once La Haye Sainte is taken,
the critical moment has arrived.
The guard, weakened as it is, is committed.
It's stopped dead.
The Prussians break through on his right flank,
and Napoleon, is caught
in his own trap of a flanking attack.
Napoleon leaves the field of battle,
tries to rally the army at Philippeville,
but is not able to do so.
It's the end for Napoleon.
[figure plopping]
He finishes his life as an exile
on the Island of St. Helena.
[markers sliding]
[markers plopping]
We've been focusing on Napoleon,
and his prowess on the battlefield.
He did, however, leave a considerable legacy.
He reshaped armies through his corps system
and through his staff system
that have largely endured to the present day.
To this day, he is still an iconic figure.
If that were not so,
then Ridley Scott would not have invested
as he has done in making this movie.
[dramatic music]
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